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An asset created for in-store merchandising for Southern Comfort. Blender’s library systems help keep track of all the different parts during remote collaborations: Red Cartel often collaborates with artists working remotely outside the studio. To keep the pipeline as smooth as possible, we use Blender’s excellent library systems. Data transfer for large scene files takes a long time, so for animators, we ask them to save out their Blender scene with unique names for their character/camera actions. If they then delete all the relevant working geometry and specify their most recent action as having a Fake user (the F button next to that action inside Dopesheet/Action Editor), that datablock is retained inside the empty .blend file. This reduces the file size enormously, making it much quicker to transfer over the internet. Once uploaded, our local artists simply append or link that data into the latest render scene in order to get the remote artist’s updated animation.

I am a big fan of the node based compositor in Blender, but I always get annoyed by how slow it is. This makes comparing two different outputs in the node tree practically impossible. Fortunately there is a solution: The split viewer. This node replaces the default viewer and has two input sockets that are displayed next to each other. To see them you need to enable the backdrop in the top right corner of the compositor. I use it all the time when post processing my renders.

Edge loops are incredible lifesavers for the same reasons above. They also make working with your model intelligently and efficiently really easy. Instead of grabbing an entire loop of faces one by one, you can select them all simultaneously and modify them together. To select all the vertices, edges, or faces in a mesh loop, click on any member of the family while holding Alt. It’s really easy to use the Knife tool to trace over a reference image or even another mesh or curve. For extremely complex patterns or anything else that you’d like to bring to life, however, the Knife Project tool can do some of the heavy lifting for you. To use Knife Project, you’ll need two things: your target mesh, and a mesh of the pattern, shape, text, or design that you would like to project onto it. This has to be a mesh, not just an image—you can import an SVG file into Blender and convert it to a mesh with the SVG Importer add-on enabled, however.

Setting up libraries of standard facial expressions speeds up your first lip sync pass: Pose Libraries are a great way to rough in animation, particularly for facial animation and lip sync. This is especially useful if your rig uses bones and drivers rather than exclusively relying on shape keys for phoneme shapes. I like to make a bone group for my lip sync controls and use those controls to create my phonemes. Each phoneme gets saved as a pose in my character’s Pose Library ([Shift]+[L]). When animating, select the bones in the lip sync bone group and press [Ctrl]+[L] to enter a library preview mode. You can then use your mouse’s scroll wheel or [Page Up]/[Page Down] to cycle through the poses in your library. Choose your pose and insert your keyframes. This works as your first rough pass on the lip sync to get the timing right. See additional info on https://3darts.org/.